Steven Seagal is just a Cop?

For a long time, the earth has connected a Mr. Steven Seagal as the smooth-talking, ass-kicking power behind such guilty-pleasure classics as Difficult to Kill, Under Siege and Above the Law. Considered a legitimate superstar in early 90s, Seagal was right up there with the kind of Schwarzenegger, Van Damme and Stallone as you of Hollywood’s go-to characters for high-octane action flicks. But somewhere along the line, the highlight pale and faster than you are able to say “Straight to DVD,” Steven Seagal had turn into a middle-aged punch line.

Who is Steven Seagal?

What exactly has he been around, you ask? Well, unknowingly to virtually everybody else, Steven Seagal is privately getting the criminals in actual life, serving as a Deputy Chief for Jefferson Parrish County’s police department in Louisiana. The information, which Seagal intentionally kept hidden from the spotlight, is delivered to our interest due to A&E’s forthcoming truth collection Steven Seagal: Lawman, a brand new half-hour show that files Mr. Seagal and the rest of the males of the Parrish County police because they defend the streets of Louisiana.

As Mr. Seagal says himself in-the show’s opening credits, “My title is Steven Seagal. That’s correct, Steven Seagal,” as though the actor knows how strange it’s for America to discover that the 57-year-old martial artist has been privately preventing offense for a division that provides and safeguards the poverty-stricken suburbs of New Orleans, an activity that I suppose isn’t all that simple and care-free (I wish the person is really Hard to Kill). How did this happen? How did the star of Today You Die turn into a famous man-in blue?

In Seagal’s superstar heyday, Jefferson Parrish County’s former Chief of Police Harry Lee asked him if he can train his officers some firing methods after seeing the activity star’s incredible marksmanship. The workout sessions went so well that Lee provided Seagal a position as a completely sworn-in Reserve Deputy, a that Seagal graciously accepted. And therefore for the last two decades, Steven Seagal has actually been Out For Justice while providing the suburbs of New Orleans a healthier amount of Urban Justice (Seriously, these are real games in the man’s movies). But do not worry; although Seagal is just a superstar as-well, he doesn’t think he’s Above the Law (OK, I pushed this 1 only a little).

So far as I’m concerned, Lawman might have only been phone “Cops… But With Steven Seagal As You of Them.”

In the several attacks I was able to examine, nearly all the present was Seagal and his companion touring in their squad car referring to how difficult their jobs are while sometimes deciding domestic disturbances in lower-class communities and splitting up fights in tasks overrun by gangs. A&E designs a lot of the show after a real Steven Seagal motion movie, applying a lot of the same characteristics that look in his films in order to create the audience see Seagal as the movie’s hero, or in this instance, the real-life hero.

The editing is performed to create Seagal appear to be he’s super-human skills in fighting crime, a power to capture every wrong-doing that he goes by while on patrol. The show is actually full of traditional one-liners that for several you realize might have been drawn from the poster of just one of the man’s films. Lines like “If you can’t anticipate an attack, you can’t reduce the chances of it.” Classic Seagal.

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The show does show that somehow Steven Seagal still includes a suave greatness to him that he could keep, regardless of the wrinkled face and larger stomach. The low-toned, raspy voice that made him such a tremendous poor butt in his films remains, however now it seems even nicer lined up in a heavy Cajun accent. And his shooting skills, those that got him the task as an officer, are pretty damn remarkable and on display in-one of the symptoms where Seagal launches the covers off of Q-Tips from 15 yards away. As you of the cops that Seagal works together with says, “He might take a off a fly’s ass.” 

Steven Seagal: Lawman will discover a market since, like a lot of the residents captured on film in the show, it’s extremely exciting and hard-to think that this washed-up motion star is really a officer in actual life putting herself in harms way every single day, and without any stop man nonetheless. Unfortuitously, following the novelty of Seagal as a genuine policeman ends, it’s no distinct then an episode of Cops. It’s very hard for me personally to assume the present having any real durability. But something is for sure; the age-old argument may ultimately be resolved. Sorry Jean-Claude Van Damme, but Seagal is formally cooler. I am talking about, seriously, the person is just a policeman in real-life. It generally does not get any harder then that. Steven Seagal: Lawman is visible every Tuesday on A&E.